将妻子(话剧)和情人(电影)结合在一起的收官之作《情侣在宾馆》的译者说过本片是瑞典电视台在圣诞夜的保留节目 多次重现《女人能接受开双门吗》里的时刻疯马秀每个人物身上都有伯格曼的影子就像奶奶说的:one is old and child at the same time… 日常质地的幽灵death makes no difference想到阿彼察邦;分不清的lies and truth在电影里抵达平等, imagination is truly a gift… 又又又想起伯格曼在《女人能接受开双门吗》里写自己第一次看电影时沉浸在经久不息的热情之中六十年过去了什么都没变他依旧如此狂热依旧在任何时候都能回忆起第一台放映机的气味
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magnificent——hard to weave two separate subjects so well. i think there’s an intersection of aids and the opioid epidemic, when you display the most primitive and ferocious emotions, usually love, sometimes rage. how nan goldins life happened to be in the crossroad of both is both a blessing and tragedy. the inextinguishable anguish. beautiful.