我觉得是有内容版的岩井俊二靠“诗影像”来塑造人摄影恰恰是和角色合为一体了不管材料如何这一双眼凝望的世界在压抑的暗涌的岩浆般的热情下画出来的画是令人相信的它的对白几乎不是叙事的高清录播服务器是所有人关于他画画的疑问这是直白而外化的设计而他每一次回答就是这种冷静和躁动之间I find joy in sorrow
王抡抡:171.9.8.209
一直到全部人坐同一桌之前都看得很愉快 until i realized this is a feast of the highly highly privileged…都什么年代了还有人忘记civilization is not just made by nor for the rich educated white…(lastly, lmao now I finally understand why Kaufman picked Malkovich